11/21/2023 0 Comments Jamaivan dubplate prices"I played on Killamanjaro sound for 10 years without a Bounty Killer (dubplate) and dem time deh him hot. He said that a reasonable price or the normal price range for dubplates depend on the artiste's popularity. is either take it or leave it," Ricky Trooper said. "Him never seh nutn wrong, but if ah artiste charge US$1,000 fi a dub because he or she have the hot song a road, me can't fight it. Meanwhile, Ricky Trooper, a seasoned sound clash selector, said the issue is deeper than the unreasonable costs. "When those avenues disappeared, Jamaican sounds were struggling to get dubplates while those in Japan and Europe could afford it and soon became number one in sound clashes," he said. He said the only sound systems that could afford the dubplates from the top artistes at the time had money coming from different avenues. And the high cost did (and still does) crash the dubplate industry." Renaissance Disco's CEO, Delano Thomas, aka DJ Delano, told THE STAR: "When we realised the remixes were working, we used them to our advantage by putting them on dubplates because it was always a taxing expense. We can't afford for that to happen save the music, save the industry by saving sound clash ting." OUR ADVANTAGE But we have to preserve the culture for the future weh a come, because if the artiste continue off their own personal interest, we may not be able to revive it again. Even Japanese sounds ah refuse to cut dubplate now because the high price force the sound man to play splice song or find a man weh sound like the artiste. When THE STAR reached out to Mr Lexx, he explained that he brought up the topic because: "I have been in the business long enough to see what is going to happen it is troubling. "Then the rest of sound system just follow a Irish and Chin me see work hard fi bring it back to a level," he said. He claims the dubplate business was derailed previously when Renaissance Disco started using remixes instead of dubs. In a video post, a displeased Mr Lexx stated among other things that "Nuff ah unuh artistes ah overdo it with the dubplate price and ah charge sound man dis one bagga money an' unuh nah kill nuh sound." Time has worn his body down, yet his voice still ripples on the surface.Dancehall entertainer Mr Lexx took to social media on the weekend to address the issue of dubplate prices being too high, leading to a decline in the communication between artistes and selectors and the sound clash culture. He conceded, there will be no more performances. Rushmore of Reggae, very few would dispute that. Ken Boothe is deserving to be etched in the Mt. His most memorable performances and songs were with the singers he admired, revered, and gave credit where due: giants like Bob Marley, Jimmy Riley, Gregory Isaacs, Dennis Brown, Marcia Griffiths, and John Holt. Ken's stories often talked about the artists who surrounded him during his career, less focused on his own accolades. “The Golden Voice of Jamaica,” the man would stop his conversation by singing his hit songs, hymns, and lyrics of other notable artists. Inside, we toured his living museum displaying the memorable awards, artifacts, posters, and photos of his storied career. As he gave a guided tour of his bright-blue castle, murals of biblical scenes in Africa and tropical settings adorned the outer walls. Ken welcomed Brady and Gravity into his home like old friends, introducing us to his large family gathered despite the rainy Sunday evening. His career spans the history of not just reggae music, but all contemporary forms, and his soulful voice still shimmers behind a mic despite the chronic physical ailments slowing him down after five decades of performing. Bob Marley sang his backing vocals, and his first singles were on Ken’s B-sides! Boothe was part of the first ensemble to sing internationally, flown to sing in front of the Queen of England, nevertheless. Any Google search will reveal the notoriety of Ken Boothe’s illustrious career. Unfortunately, this would be with Brady alone, as David was scheduled to jetset back to the embrace of his family in Silver Spring. Orange Street served to be a fertile place for connecting, as Gravity from Ibo’s Spice Portal also reached out to suggest a dubplate session with the legendary Ken Boothe. On a buzz, everyone left with handfuls of scallions from the Blue Mountains, and B ‘n G Wax ended the day on a relaxed beach near Bull Bay on the other side of town. The vibes were contagious and a solid connection was built to continue a future musical link with the Rockers crew. The studio session surpassed any preconceived expectations.
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